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Grateful Dead Live at Capitol Theatre on 1980-04-01




Set 1

The Promised Land
The Promised Land
Candyman
Me And My Uncle ->
Big River
Friend Of The Devil
It's All Over Now
Don't Ease Me In
Looks Like Rain ->
Deal

Set 2

Feel Like A Stranger
China Cat Sunflower ->
I Know You Rider
Estimated Prophet ->
He's Gone ->
The Other One ->
Jam ->
Drums ->
Space ->
Stella Blue ->
Around And Around

Encore
Shakedown Street


Collection GratefulDead
Band/Artist Grateful Dead
Venue Capitol Theatre
Location Passaic, NJ

Source FOB Master Cassettes MAC = 3 x Maxell XLII C90, 1 Maxell XLII C60; 2 x Nakamichi CM700 => Sony TC-D5M >> MAC
Lineage MAC >> Nakamichi DR-1 => Grace Design Lunatec V3 >> Korg MR-1000 >> DSF [1-bit 5 -6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taped by Barry Glassberg
Transferred by Adam Egert and Derek McCabe

Reviews

Reviewer: sakanaband - - February 25, 2011
Subject: Jersey Jubilee of Joy
This show just kicks butt. This was the last show at this legendary venue for the boys complete with an April’s Fool Day gag of Promised Land with everybody playing each other’s instruments, a punchy raucous performance and killer recording to match. First set is pretty great though a bit short. However, it includes one of the best-ever versions Friend of Devil with a stunning and extended Garcia solo due to Bobby missing his cue for his normal spot between Brent and Jerry.

Set II is fantastic all the way through. There is a very generous 60 minutes of great music before Drums in the second set. An eleven-minute scalding Other One preceded by a 13-minute Estimated that substitutes a cool Brent piano at the beginning of the jam followed by typical Jerry wah-wah then a straight fat tone part before winding into an exquisite He’s Gone. . The post-Drums section is short but sweet with impassioned Garcia singing in Stella that benefits from coming directly out of Space. Then a Shakedown encore to leave everyone presumably blissfully satisfied.

You can take your April ’77 Passaic’s, this in my humble opinion, just blows it away. Screaming hot rather than silky smooth. It was legendary shows like this and the subsequent Fall ’80 acoustic/electric Radio City shows that had the band moving up to large venues like Madison Square Garden forever. They were still great there (see 1981-03-09 & 1981-03-10 Steve Rolfe recordings with Charlie Miller mastering and onward).

Kudos to Barry and all the other fellas and the MOTB crew for bringing this to life for us. And no offense on the source recommendation for them MSG gigs, but ya gotta admit they are pretty perfect.
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Source: Master Audience Nakamichi CM300/CP4 Shotguns>Sony D7>Sony D6 (Patched Out Of D7) Tapes:Maxell XL II 90,100 Taper:Friend Of Floater Tapes From Floater,Transfer By Keo; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz Tracking/Sample Rate Conversion/Flacked Metadata Tagging With AudioGate Software To 24 Bit/96 kHz